Major structure

The majority of Arts Majors require 100 points of study for attainment. This means out of the 300 point program, you have the opportunity to achieve two Majors in your course. Along with this, the Faculty of Arts offers a variety of Breadth Subjects designed to enhance your learning with options from a variety of fields.

Students completing a Major in Screen and Cultural Studies

A major sequence is made up of the following:

EITHER Introduction to Screen Studies (SCRN10001) OR Media, Identity and Everyday Life (CULS10005) AND One Arts Foundation subject (25 points)
37.5 points of Level 2 Screen & Cultural Studies subjects
25 points of Level 3 Screen & Cultural Studies subjects AND the compulsory Capstone subject Contemporary Film and Cultural Theory (CICU30012)

Students completing a Minor in Screen and Cultural Studies

A minor sequence is made up of the following:

EITHER Introduction to Screen Studies (SCRN10001) OR Media, Identity and Everyday Life (CULS10005) AND One Arts Foundation subject (25 points)
25 points of Level 2 Screen & Cultural Studies subjects
25 points of Level 3 Screen & Cultural Studies subjects

This is a sample subject list only. Subjects offered may change from year to year. Current and commencing students must refer to the University Handbook for enrolment purposes.

View Handbook Entry

Sample Study Plans

B-Arts Example

B-Arts (Ext) Example

D-Lang + B-Arts Example

Subject Options:

Level 1 - Elective Subjects
Subject	Points
Introduction to Screen Studies	12.5
Introduction to Screen Studies This subject provides students with a comprehensive introduction to the study of film language and theory. It is organised around these two separate but related areas. The film language component covers two interrelated topics that are essential for an understanding of the cinema; film aesthetics and film history. The subject begins with the early cinema and progresses through to an analysis of contemporary Hollywood. Key topics of narrative, editing, sound, mise-en-scene, cinematography and the studio system are studied in this historical context. The film theory component of the subject presents a study of the key theories, including: genre theory, auteurism, the classic text, gender, p... Detailed Information SCRN10001
Media, Identity and Everyday Life	12.5
Media, Identity and Everyday Life Media saturate almost every aspect of our experience, and provide a powerful lens through which we come to understand our selves, other people, and the world around us. This subject offers an introduction to cultural studies by focusing on the media and their impacts in everyday life. Case studies are drawn from a range of popular transnational media including advertising, television, film, Internet cultures and social media. We focus on approaches to representation and social practice; and consider how people interact with media in everyday life, especially how our identities are constructed through our media practices. The subject provides students with a reflexive understanding of the ... Detailed Information CULS10005

Level 2 - Elective Subjects
Subject	Points
Media Histories	12.5
Media Histories The subject will explore the intimate connections between screen and media technologies and changing understandings of culture in the 20th century. It focuses on how innovations in print and photographic technologies, telegraphy and telephony, the moving image, sound recording, radio, film exhibition, TV and video, and the transformation of analogue by digital technologies, have enabled changing visions of culture. It studies terms such as mechanical reproduction and the culture industry, the optical unconscious and trauma, massification and broadcast, public sphere and media literacy, fragmentation and globalisation. Students will be encouraged, and given the confidence, to move between ... Detailed Information CULS20016
Rock to Rave	12.5
Rock to Rave This subject provides an overview of cultural studies approaches to contemporary popular music. Students will be introduced to the interdisciplinary traditions of scholarship that have emerged in the study of popular music's relationship to its social, cultural and political contexts. Topics will include musical evaluation and taste; music genre; sexuality and gender in pop; music industries and music distribution formats; music videos; youth subcultures; politics and radio broadcasting; and race in popular music, with a focus on global hip hop. Detailed Information CULS20015
Hollywood and Entertainment	12.5
Hollywood and Entertainment This subject explores developments in the Hollywood film industry from the 1960s to the present. Students should grasp some of the key issues of this period, including the focus on modernist strategies, revisionist approaches, allusionism and the new generation of Hollywood film school 'auteurs'. This subject will also look at the interconnection between entertainment industries, and the emergence and significance of 'high concept' as a production and marketing strategy. Detailed Information SCRN20011
Television, Lifestyle & Consumer Culture	12.5
Television, Lifestyle & Consumer Culture What is lifestyle? When and how did the concept develop, and what functions does it serve in consumer culture today? How is it represented and constructed through television? How does it relate to parallel concepts like taste, style and identity? This subject frames lifestyle as the site where consumer culture and individual identity intersect, where identities are produced through our interactions with the commodities and media we consume. It approaches lifestyle as the relatively recent invention of advertising, marketing, popular media and related institutions and discourses, contextualizing it within the broader rise of modern consumer culture, in order to provide a historical framewo... Detailed Information CULS20014
Australian Film and Television	12.5
Australian Film and Television This subject is an introduction to the study of Australian film and television. Beginning with post-war Australian film and television, we will trace the emergence of the modern entertainment industry in Australia locating it within national and international frameworks and examining the growing debates around what constitutes a national cinema and television industry. The focus will be upon examining specific films and a range of media in television locating products within local and global contexts, analyzing cosmopolitan and nationalist impulses that drive the industry forward. We will study a range of indigenous and non-indigenous products and genres including feature films, video, do... Detailed Information SCRN20013
Ensemble Filmmaking, Art and Industry	12.5
Ensemble Filmmaking, Art and Industry This subject re-thinks the enduring notion of authorship and its central place in the production and reception of films and other screen media. Through a detailed examination of films and filmmakers operating in global art cinema and Hollywood, students will encounter critical ideas about authorship and artistry beyond persisting misconceptions of filmmaking as the exclusive creative province of male auteurs and multi-national business conglomerates. This subject demonstrates the notion of ensemble authorship which takes into account the significant collaborating role of producers, writers, designers, technicians, actors, studios, critics, audiences and their relationships to other visual... Detailed Information SCRN20014

Level 3 - Elective Subjects
Subject	Points
Thinking Sex	12.5
Thinking Sex How do we come to experience ourselves as having a gender and a sexual orientation? How do social constructions of gender relate to understandings of sexuality? How have categories like masculinity and femininity; heterosexuality, homosexuality and bisexuality transformed over time? This subject approaches gender and sexuality as historically and culturally contingent rather than as natural expressions of a private self. It provides the historical and theoretical frameworks for understanding the rise of specific genders and sexualities in relation to available medical, psychoanalytic, philosophical, political and popular discourses. Drawing from recent formations in both feminism and quee... Detailed Information CULS30004
Asian Cinema and Media	12.5
Asian Cinema and Media This subject focuses on contemporary Asian cinema and media with a special emphasis on their transnational aspects. Students will encounter examples mainly from cinema (both popular and 'art' film), but the subject also engages with other forms of media culture like television, computer games, music video and Internet cultures. These texts will be approached through analysis of the contexts of their production, distribution, and consumption as well as through textual analysis. Students will learn about new approaches to contemporary Asian cinema and media that understand these cultures as formed through transnational flows rather than as the product of discrete and bounded 'civilisations'... Detailed Information CULS30002
Art Cinema and the Love Story	12.5
Art Cinema and the Love Story This subject is a study of many manifestations of the love story represented in Australian, Italian, French, British and North American art cinema traditions. Through detailed close-analysis of a range of films, the subject explores topics such as romantic love, Surrealism and mad love, the marital gothic, adultery, gay and lesbian love, inter-racial romance, perversion, loss and melancholia. Concentrating on art cinema treatments of romantic comedy, melodrama, the backstage musical, horror and gothic romance, the subject highlights the various formal strategies employed to create the love story in art cinema. The subject looks at the way in which film theory has explained the idea of lov... Detailed Information SCRN30001
City Cultures	12.5
City Cultures This subject provides an introduction to a variety of ways in which city cultures have defined and articulated popular culture and critical social theory. Students will be introduced to contemporary urban narratives of places and spaces through a focus on city cultures, from Melbourne, New York, Hong Kong and Dubai. Students will explore and analyse issues around immigration and mobility, social identities and urban spaces, environmental sustainability, post-industrial economies and creative industries, in order to consider how cities have become central to our theoretical understanding of contemporary cultures. Detailed Information CULS30003
The Digital Screenscape	12.5
The Digital Screenscape This subject explores the impact that digital technologies have had in the world of screen media and in mediating the world around us. Film and television has, over the last century, become an integral part of our reality but, since the advent of the digital era, screen media have become even more integrated into the social sphere. This subject will focus on: applying diverse and interdisciplinary interpretative tools to analyse the impact of digital special effects on the cinema; the forms of player engagement made possible by the digital nature of video games; the advent of digital technology and the rise of the theme park; the phenomenon of the second screen and television viewing; the... Detailed Information SCRN30005
Film Noir: History and Sexuality	12.5
Film Noir: History and Sexuality This subject offers a close study of the phenomenon of film noir from its precursors in silent cinema, through classical and B film noir, to digital cinema. Film Noir: History and Sexuality will invite students to consider the way in which cultural, political and technological factors influence the aesthetics, narrative form and style of film noir. A key focus of this subject will be the changing representations of gender and sexuality and the challenges posed to regimes of censorship in cinema. Movements studied will include the silent film; German expressionism; classical Hollywood noir; noir revised by New Wave directors (particularly in France and Hong Kong), postmodern noir, post-noi... Detailed Information SCRN30004

Level 3 - Capstone Subject

Subject

Points

Contemporary Film and Cultural Theory

12.5

Contemporary Film and Cultural Theory

This subject introduces students to some of the major theoretical traditions in the field. Emphasis on historical, textual, ethnographic, institutional and other theories will be grounded in a focus on the Australian film industry and its culture. These theoretical traditions will provide resources used by students to produce detailed and specific studies of contemporary cinema and cultural practices. By apprehending diverse theoretical accounts of cinema and cultural studies in relation to Australian screen and cultural practices, students will engage with some of the significant problems of the cultures we inhabit. Students will also explore research and professional pathways.

Detailed Information CICU30012

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Major structure

Sample Study Plans

Subject Options:

Introduction to Screen Studies

Media, Identity and Everyday Life

Media Histories

Rock to Rave

Hollywood and Entertainment

Television, Lifestyle & Consumer Culture

Australian Film and Television

Ensemble Filmmaking, Art and Industry

Thinking Sex

Asian Cinema and Media

Art Cinema and the Love Story

City Cultures

The Digital Screenscape

Film Noir: History and Sexuality

Contemporary Film and Cultural Theory